Three little apples perch on a red brick ledge behind the stove. Sun burns through the branches of the trees outside. THE SCREEN IS black, and then comes the first frame: Hayao Miyazaki, the greatest animated filmmaker since the advent of the form in the early 20th century and one of the greatest filmmakers of any genre, is seated in front of a cast-iron stove with a pipe running up toward the ceiling, flanked by windows propped half open. To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android.
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